dale spender

dale > new wealth > pop ip > contents

(Titles may change: each unit has an abstract, summarising the contents: if it's what you want -- - pick 'n' play: each unit stands on its own - but all can fit together. The free glossary and bibliography work for all units.)

Introduction

A wealth of ideas
Glossary
Bibliography
PoP IP - who needs it?
Do it yourself; how to use IP

Pick'n'Play List -- An educational resource

Licensed material
Intellectual Property; who made it up?
3. IP - it comes from the government
4. Living in an IP world
5. Losing the commons - land, sea and air
6. Starting with copyright - an IP Check List
7. Copyright and the balancing act
8. Going too far
9. Copyright Monopoly
10. Mickey Mouse Laws
11. Open source - keep an open mind!
12. But software is different ….
13. Fair dealing and fair use - who is against it?
14. Public Domain
15. Creative Commons
16. Education or Leaning commons; MIT
17. Free for Education (FfE) licence model
18. CAL - statutory licence and double dipping
19. Copyleft
Universities
20. IP - giving it away
21. IP - getting it back - e-archiving
22. Open and free journals
23. BBC archive
The author, the publisher, and the ploy of copyright
24. From copying to owning
25. From real to virtual
Plagiarism; the amazing obsession with who said it first
26. Introduction; did anyone say it first?
27. Who knows what plagiarism is
28. The differences between plagiarism and copyright
29. In the beginning - who had the first word?
30. Good and bad plagiarism
31. Plagiarism and the new technology
32. One rule for students - another for academics!
33. One culture's paraphrasing is another's form of disrespect
34. Plagiarism for beginners
35. Quotes worth copying
36. Great writers, great plagiarists; let's do some Shakespeare
37. How to get around it - or 'Paraphrasing 101' as scholarship
38. Hybrid writing, patch writing - or plagiarism as learning
39. School sucks; fraud or freedom?
40. The cost of catching plagiarists - what's the educational value?
41. That's a good idea Ms Jones - we will let a man think of it…plagiarism and gender
42. Garbage in - garbage out!
Piracy
43. Piracy - how the music industry stole the word
44. Piracy was the means by which America established its publishing industry - then it changed its tune
45. The history of the content industry is the history of piracy
46. Ban the technology - the response to the new
47. The cost of piracy - it doesn't add up
48. Stop the Music!
49. Start the Music! I-tunes
50. Pirates/terrorists; the criminalisation of file sharing students (and teachers and parents)
Owning your own work
51. Lecture notes - who owns them? (Particularly online!)
52. Educational writers and publishers
53. Research - can you own your own?
54. Students who ©; the implications
55. Ripping off students work - whose name should be on the article?
56. Collaborative research; who gets the credit?
At the workplace
57. Auditing IP - what have you got and who owns it?
58. What do you buy?
59. What do you do with what you create
60. Who owns the IP workers work?
61. The difference between intellectual capital (a good idea) and intellectual property (a product you can trade)
62. Valuing IP at the workplace
63. Accounting for IP at the workplace
64. What about brand?
65. Trade secrets
66. Confidentiality agreements
67. Managing the creative output of the workplace
68. Locking it up- or open door?
69. Formulating an IP policy for all
Patents
70. Patent practices
71. Making patents is like making widgets
72. Profits from enforcement
73. Profits from suing
74. Where does software come into this
75. Patently absurd
76. Business models: Where does the idea end and the machine begin?
77. Invention or means of economic imperialism?
78. Pharmaceuticals
79. Seeds
80. Biogenetics
81. 'Patent locks on public goods'
Trading IP in the global market place
82. GATT
83. WIPO
84. WTO
85. TRIPS
86. US Australia FTA
87. Bi-lateral deals
88. Who owns the world trade agreements?
89. Private and public knowledge
90. Information inequality
91. It's a free society, isn't it?